This is development of discourse communties
(Swales - discourse and societies)
Werstch - what is unique and universal
class notes:
p. 60
what the course is about - genres
78
are they equal? no - choice of speech genre (we make choices)
material form - speech? writing? - affordance/ constraint? - what is the material form?
from Wikipedia
"The Problem of Speech Genres" deals with the difference between Saussurean linguistics and language as a living dialogue (translinguistics). In a relatively short space, this essay takes up a topic about which Bakhtin had planned to write a book, making the essay a rather dense and complex read. It is here that Bakhtin distinguishes between literary and everyday language. According to Bakhtin, genres exist not merely in language, but rather in communication. In dealing with genres, Bakhtin indicates that they have been studied only within the realm of rhetoric and literature, but each discipline draws largely on genres that exist outside both rhetoric and literature. These extraliterary genres have remained largely unexplored. Bakhtin makes the distinction between primary genres and secondary genres, whereby primary genres legislate those words, phrases, and expressions that are acceptable in everyday life, and secondary genres are characterized by various types of text such as legal, scientific, etc.[33]
Class notes - definitions
From notes last spring:
Bakhtin Speech Genre
121
“Language is realized in the form
of
individual concrete utterances
(oral and written) by participants in the various
areas of human activity. These
utterances reflect the specific conditions and
goals of each such area not only
through their content (thematic) and linguistic
style, that is, the selection of
the lexical, phraseological, and grammatical
resources of the language, but
above all through their compositional structure.
All three of these aspects-
thematic content, style, and compositional
structure are inseparably linked
to the whole
of
the utterance and are equally
determined by the specific nature of the particular
sphere of communication.”
“The wealth and diversity of
speech genres are boundless because
the
various possibilities of human
activity are inexhaustible, and because each
sphere of activity contains an
entire repertoire of speech genres that differentiate
and grow as the particular sphere
develops and becomes more
complex”
122
Difficulty of speech genre:
“One might think that
such fum:tional heterogeneity
makes the common features of speech genres
excessively abstract and empty.
This probably explains why the general
problem of speech genres has never really been
raised.”
Why
we should focus on speech genres:
“A clear idea of the nature of the
utterance in general and of the
peculiarities of the various types
of utterances (primary and secondary), that
is, of various speech genres, is
necessary, we think, for research in any special
area. To ignore the nature of the
utterance or to fail to consider the peculiarities
of generic subcategories of speech
in any area of linguistic study leads
to perfunctoriness .md excessive
abstractness, distorts the historicity of the
research, and weakens the link between language and
life.”
Act of language – how does that fit in with signs we
were discussing?
Individuality
– speech – can genres of speech not lend itself to individuality (what does
individuality mean here?)
“therethe
individuality of the speaker (or
writer); that is, it possesses
individual style. But not all
genres are equally conducive to reflecting the
individuality of the speaker in
the language of the utterance, that is, to an
individu,ll style.”
123
literary vs. the standard form
“In the vast majority
of speech genres (except for
literary-artistic ones), the individual style does
not enter into the intent of the
utterance, docs not serve as its only goal,
but is, as it were, an
epiphenomenon of the utterance, one of its
products. Various genres can
reveal various layers and facets of the individual
personality, and individual style
can be fouml in various interrelations with
the national
language.
The very problem of the national and the individual
in language is basic.1lly the problem of the utterance”
“to a historical explanation of
these changes,
one must develop a special history
of speech genres (and not only
secondary,
but also primary ones) that
reflects more directly, clearly, and flexibly
all the changes taking place in
social life. Utterances and their types, that is,
speech genres, are the drive bdts
from the history of society to the history
of lauguage. There is not a single
new pheomenon (phonetic, lexical, or
grammatical) that can enter th,;
system of language without having traversed
the long and complicated path of generic' stylistic
testing and modification.
Slang
through time
124
critique – Saussure’s graphic –schematic
link to social implications – readings from last
week
“Moreover, any speaker is himself
a respondent to a greater or lesser
degree. He is not, after all, the
first speaker, the one who disturbs the eternal
silence of the uniYerse. And he
presupposes not only the existence of the
language system he is using, but
also the existence of preceding utterances
his own and others' - with which
his given utterance enters into one kind
of relation or another (builds on
them, polemicizes with them, or simply
presumes that they arc alreatly
known to the listener). Any utterance is a
link in a very complexly organized chain of other
utterances.”
125
utterances – concrete beginning & end –
utterance as “real unit”
dialogue – classic form of speech communication –
BUT REJOINDERS RELATED TO EACH OTHER!
“These specific relationships among rejoinders in a
dialogue are only subcatergories of specific relations among whole utterances
in the process of speech communication” Theater.
“Relationships
among whole utterances cannot be treated
grammatically since, we repeat, such relations are impossible among units of
language, and not only in the system of language, but in the utterance as well”
126
“Science”
“while retaining their external clarity, acquire
here a special internal
aspect because the speaking
subject - in this case, the author of the work
manifests his own individuality in
his style, his world-view, and in all aspects
of the design of his work. This
imprint of indi~ality
marking
the work
also creates special internal
boundaries that distinguish this work from other
works connected with it in the
overall processes of speech communication
in that particular cultural
sphere: from the works of predecessors on whom
the author relies, from other works
of the same school, from the works of
opposing schools with which the author is
contending, and so on.”
…
“The work, like the rejoinder in
dialogue, is oriented toward the response
of the other (others), toward his
active responsive understanding, which can
assume various forms: educational
influence on the readers, persuasion of
them, critical responses, influence on followers and
successors, and so on.”
“The speaker's speech will is
manifested primarily in the choice cJ
a
particular
speech genre. This choice is
determined by the specific nature of the given
sphere of speech communication,
semantic (thematic) considerations, the
concrete situation of the speech
communication, the personal composition
of its participants, aml so on.
And when the speaker's speech plan with all
its individuality and subjectivity
is applied and adapted to a chosen genre, it
is shaped and developed within a certain generic
form.”
“we speak in
di\erse genres \Vithout suspecting
that they exist. Even in the most free, the
1:10st unconstrained conversation,
we cast our speech in definite generic
lorms, sometimes rigid and trite ones, sometimes
more flexible, plastic creative ones”
127
“We assimilate forms of
language only in forms of
utterances and in conjunction with these forms.
The forms of language and the
typical forms of utterances, that is, speech
genres, enter our experience and
our consciousness together, and in close
connection with one another.” (Again, looking at
treatment of environment – Genre
Speech
and action!! (policy)
Engelder
and Ingraffea
“Speech genres
organize our speech
in almost the same way as grammatical (syntactical)
forms do.”
Diversified speech genres – many ways to utter a
greeting
“for example, the generic form of
greeting can move from the
official sphere into the sphere of
familiar communication, that is, it can be
used with parodic-ironic re-accentuation”
128
Fascinating!!!!
“But to use a genre freely
and creatively is not the same as
to create a genre from the beginning; genres
must be fully mastered in order to be manipulated
freely.”
“Any utterance is a link in the
chain of speech conuuunion. It is
the active
position of the speaker in one
referentially semantic sphere or another.
Therc.fore, each utterance is
characterized primarily by a particular referentially
semantic content.”
No neutral utterance
129
speech genre – way of utterance – expression
speech
– rearticulation
word
is expressive…but this expression does not inherent in the word itself. It
originates at the point of contact between the word and actual reality, under
the conditions of that real situation articulated by the individual utterance”
130
Our speech is filled with others’ speech – “varying
degree of otherness”
Utterances – responses to construction of utterance
131
" Any utterance, when it is studied in greater depth under the concrete
conditions of speech communication, reveals to us many half-concealed or
completely concealed words of others with varying degrees of foreignness."
131
" Any utterance, when it is studied in greater depth under the concrete
conditions of speech communication, reveals to us many half-concealed or
completely concealed words of others with varying degrees of foreignness."
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